María M. Carrión
Chair, Department of Religion
Professor of Religion and Comparative Literature
Co-Coordinator, Emory Mellon Mays Undergraduate Fellowship Program
Office: S515 Callaway Memorial Center
Additional Contact Information
Department of Religion, Emory University
537 Kilgo Cir., S214 Callaway Bldg.
Atlanta, GA 30322
María M. Carrión, Chair, Department of Religion, Professor of Religion and Comparative Literature at Emory University, Co-Coordinator, Emory Mellon Mays Undergraduate Fellowship Program is the author of Subject Stages. Marriage, Theatre, and the Law in Early Modern Spain (The University of Toronto Press, 2010) and Arquitectura y cuerpo en la figura autorial de Teresa de Jesús (Anthropos, 1994). She also authored “La niña de Gómez Arias de Luis Vélez de Guevara, teatro casi imposible,” a monographic study about the play La niña de Gómez Arias by Luis Vélez de Guevara. Ed. C. George Peale and William R. Manson (Juan de la Cuesta, 2015). She was the lead translator of the two-volume Puerto Rico (1908-1912). El viaje cartográfico del teniente William H. Armstrong. Eds. María D. Luque and Lanny Thompson. Transl. María M. Carrión and Aurora Lauzardo (Ediciones Puerto, forthcoming). Her essays have been featured in refereed journals, including Journal of Early Modern Studies, Renaissance Drama, Romance Quarterly, eHumanista, Visión Doble, Medieval Encounters, La Corónica, Revista Canadiense de Estudios Hispánicos, Bulletin of the Comediantes, Modern Language Notes, Studies in 20th-century Literature, Literature Film Quarterly, and Sargasso (forthcoming), as well as in collections of essays on Islam in the Hispanic world, Hispanic Mysticism, Teresa de Jesús, the Spanish Comedia, early modern ethnobotany, Cervantes, and early modern sexualities.
From 2009-2011 Carrión was Visiting Professor in the Graduate Program in Translation (PGT) at The University of Puerto Rico, Río Piedras. She was Dean of Graduate Studies at UPRRP's School of Humanities in 2012-2013. In the summer of 2016 she joined the core faculty of Emory’s Comparative Literature, where she has served as Director of Graduate Studies since 2017. Carrión has also served since 2017 as Co-Coordinator of the Emory Mellon Mays Undergraduate Fellowship Program.
She continues to research, write, and teach on religious branding, devotion, and the sacred in the many worlds of latinidad, and is currently working on a digital monograph exploring the representation of nature and belief in 16th-century European dried gardens. She has organized several conferences at Emory University, including "Spain Before Spain. Encounters Between Muslims, Jews, and Christians (1500-1700).”
Carrión studied Classics at the Universidad Complutense de Madrid and graduated with a B.A. in Art History and Criticism from the University of Puerto Rico. She completed an M.S. in Art Education and an M.A. in Spanish from the University of Tennessee, Knoxville before completing her Ph.D. in Spanish at Yale University. She specializes in the cultural and literary production from 16th- and 17th-century Spain, inquiring about sacred and religious spaces, dramatic theory and performance, religious and legal writings and practices, and architectural theory and history. Her most recent work has dwelled in gardens live and dried to tease out the evolution of natural philosophy. In another study, she has engaged comparative theology to read Andalusi architecture with Spanish mystical literature. She has also published articles and translations on the literature and culture of the Hispanic Caribbean. She has participated in conferences, symposia, colloquia, and workshops in the US, Spain, South America, Romania, and the former Yugoslavia, and her essays have been published in the US, Spain, France, Romania, and Central and South America.
Carrión’s courses and seminars include Andalusi Architecture: Umayyad Córdoba and Nasrid Granada; Andalusi Architecture: La Alhambra; Spain’s Early Modern Mysticism; Inquisition, Autobiography, and Empire in Early Modern Spain; The Spanish Picaresque; Race, Gender, and Performance in 17th-century Spain; Marriage, Theatre, and the Law; Spain. Fascism, Literature, and Cinema; and Hispanic Theatre, Film, and Performance Art.